Although Lysippos admired Polykleitos’s work (link), he used
a different ideal proportions for his nude, the Apoxyomenos, or the Man
Scraping Himself, during the Late Greek Classical period, circa 350-325
BCE. This work only remains in Roman
copies, but Lysippos’s talent still shines through. The soft S curve of this athlete’s stance,
relatively small head, and wistful expression is a shift from the rigid
intellect and hard figures from the Early and High Classical periods of Greek
art. The Scraper’s arm also extends into
the viewer’s space instead of staying confined to one plane, as was common with
older statues, which invites the viewer into almost become a part of the
action, which is a clear step towards the Hellenistic period.
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