Even though the sculptor Myron was famous for creating
life-like animal sculptures, he also created humans in the midst of
action. His Discobolus or Discus Thrower
created during the Early Classical period is no exception. Originally, this piece was bronze, but we
would not have this sculpture if the Romans had not created a marble copy of it
due to the unreliability of bronze over time.
This discus thrower has an idealized body that shows an interest in anatomy,
but his hair seems to be stuck in the Archaic period with its cap-like
treatment. Although this piece does have
one foot in the classical period, it is rather planar, almost like a relief
with no background. The action Myron
chooses to sculpt is also rather static because the thrower is frozen at the
top of his motion; he is neither moving forward or backward. This frozen state changes as the Classical period
evolves into the Hellenistic period of Greek art.Welcome to the GJCL Classical Art website! To prepare for the Classical Art test at State Convention 4/12/2024, 1) study our blog posts, 2) review old tests with their accompanying images (available for download below), and 3) read the books about Greek and Roman art recommended for the NJCL test (Susan Woodford, The Art of Greece and Rome [1982] and especially John Boardman, ed., The Oxford History of Classical Art [1997]).
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Showing posts with label bronze. Show all posts
Showing posts with label bronze. Show all posts
Wednesday, April 2, 2014
Discobolus (Discus Thrower)
Even though the sculptor Myron was famous for creating
life-like animal sculptures, he also created humans in the midst of
action. His Discobolus or Discus Thrower
created during the Early Classical period is no exception. Originally, this piece was bronze, but we
would not have this sculpture if the Romans had not created a marble copy of it
due to the unreliability of bronze over time.
This discus thrower has an idealized body that shows an interest in anatomy,
but his hair seems to be stuck in the Archaic period with its cap-like
treatment. Although this piece does have
one foot in the classical period, it is rather planar, almost like a relief
with no background. The action Myron
chooses to sculpt is also rather static because the thrower is frozen at the
top of his motion; he is neither moving forward or backward. This frozen state changes as the Classical period
evolves into the Hellenistic period of Greek art.The Charioteer
Even though the mark of a Greek Classic art piece, the
contrapposto, is missing in this bronze sculpture of a Charioteer, the
individualized face and feet reflect a break from the Greek Archaic period, and
the introduction of something new. His
eyes are made of onyx and his eyelashes and lips are made of copper. Created merely ten years after the Kritios
Boy (link), this charioteer, found at the sanctuary of Apollo at Delphi, is has
an idealized body and an expression of extreme concentration. The inscription commemorates the charioteer
for winning the Pythian Games, so this statue is most likely of a real
person. 
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