Herakles’ eleventh labor (in the catalog of
Apollodorus) was to fetch the golden apples of the Hesperides. The apples grew on a tree in a garden somewhere in the far west.
The tree and its fruit were tended by nymphs, the Hesperides, with the
aid of a snake named Ladon.
In one version, Herakles goes to
the garden himself and confronts the serpent guardian. This version of the myth is depicted on an
Attic black-figure lekythos created around 500 BC. In this depiction, Herakles obtains the apples
himself. Note that here the snake is
shown with two heads. In another
version, he made one of the Hesperides pick them for him.
In yet another version of the
myth, Herakles acts on the advice of Prometheus, who tells him to seek help from Atlas.
While Herakles relieves Atlas from his
burden of supporting the sky, Atlas retrieves the apples from the
Hesperides. In this metope from the
Temple of Zeus at Olympia (ca. 460 BC), Athena is helping Herakles bear the
load while Atlas approaches with the apples.
Yet another version of the myth was meant to
make people laugh. On this red-figure
chous (wine pitcher, ca. 460 BC) Herakles is a satyr and the apples are wine
pitchers (choes, like the vase itself) hanging on the branches of the tree (the
club, the tree, the snake, the fruit all make the reference clear). This type of vase (chous) was used in the Anthesteria,
a festival in honor of Dionysus on the occasion of the maturing previous year’s
vintage. So naturally the joke has to do
with wine. Herakles’ heroic labor, the
fetching of the apples at the behest of Eurystheus, is reduced to a satyr’s
craving for wine. The satyr will go to
any length—he will even perform a Heraklean labor!—to get the wine that is the
reason for the festival. So this version
of the myth is explained by vase painting humor. For other examples of parody in which satyrs
mimic heroes and even gods, see Mitchell (2009).
Mitchell, Alexandre G. Greek
Vase-Painting and the Origins of Visual Humour (2009) 150ff.
- Lesley Ehmer
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